Pathfinder: Wrath of the Righteous is a faithful adaptation of the tabletop game, and a direct improvement from Pathfinder: Kingmaker. The army management system is more hands-on than the kingdom management of the previous game, but it’s a less fulfilling experience. Fans of fantasy RPGs like Baldur’s Gate, Tyranny, or tabletop RPGs would be well-served to give this game a chance.
Fans of the earlier entries in the series will have little to complain about, and it’s a great new story for beginners to the franchise as well who find the older games inaccessible. But all this comes with one caveat: Please do not come into this expecting a realistic historical story. You’ll only end up disappointed.
Fans of classic JRPGs will find a lot to like about Cris Tales, and a high tolerance for random encounters will help. Casual gamers will have an easy time digesting this game, but those random encounters will quickly become a problem for those lacking the tenacity and patience.
World End Economica ultimately stands out as a modern classic of the visual novel genre. But like classics, they’re not for everyone. Players might be put off by the first game, but anyone who has even an inkling of interest by the time the prologue is done would be well served to try and see it through.
Ultimately Bustafellows could be the breakout hit of the otome genre, a genre woefully underserved in the west. With its appealing character design and flashy noir setting, it’s an easy to digest pretense for otherwise timid readers.
Players will find themselves enamored with the game’s grimdark aesthetic and art direction; and while there may be some hiccups with the stage design or some frustration with the combat, Ender Lilies is a welcome addition to the Metroidvania genre that is likely to satisfy a broad swathe of gamers.
The game manages to catch a large assortment of players. Fans of the anime will definitely want to follow this adventure in the land of Lodoss, while those unfamiliar with the series will find the game to be a satisfying standalone game with an easy enough story to follow.
Ultimately, World Splitter is a game that should be taken at face value. It’s a creative puzzle-platformer that’s rough around the edges. Six worlds and a couple dozen stages that can all be completed in under 6-8 hours if you’re clever. It’s a fun diversion, and those who enjoyed the Flash games of yesteryear will find World Splitter to be a comfort. But for those expecting a little more for a full game will be left wanting.
You’ll have fun if you like puzzle platformers, but you’ll lament what Balan Wonderworld could have been, and deserved to be. I do want to close out saying that I did enjoy Balan Wonderworld, but I can appreciate the fact that it’s an unpolished game oozing with wasted potential. I just have a soft spot for 3D platformers.
Those looking for a platforming challenge will want to steer clear of the heavy narrative focus in Lost Words. Meanwhile, fans of visual novels will likely be able to overlook the lacking conventional gameplay and really appreciate the story and beauty of the game.
Fans of games like Gauntlet or Rogue Legacy will probably find something to enjoy in UnderMine. However the game’s heavy focus on RNG with the Relics and constant enemy spam will alienate roguelite fans that like to succeed with strategy.
Ultimately, Root Film is a fantastic mystery visual novel that provides a thrilling story, a colorful cast of characters, and the kind of excitement you might not expect from the genre.
Ultimately, Loop Hero is a strategic roguelite title that shines in its aesthetic, innovation, and depth; only held back in a few areas. These are its lengthy grind, gacha-style knick-knack buffs, and long combat sequences without interaction.
Ultimately, Lotus Reverie: First Nexus is a dramatic story with compelling characters and outstanding artwork that’s actually diminished by the inclusion of combat mechanics. I understand wanting to try and appeal to a broader audience with gameplay on top of narrative in a visual novel, but the game ultimately fails to make the combat relevant, meaningful, or enjoyable.
Gal*Gun Returns manages to hold interest for a while in spite of the repetitive stages and simple gameplay. Maybe that’s a testament to the tried and true appeal of love, lewdness, and shooting. While those who don’t appreciate fanservice or rail shooters might not enjoy this game, it’ll evoke a strange feeling of nostalgia for fans of “weird” Japanese games even though we never got to play the original.
It’s hard to recommend Story of Seasons: Friends of Mineral Town as anything but a novel relic, it’s a remake of a game with historical importance for a well-loved franchise, but offers nothing that newer players who started with Stardew Valley or Rune Factory 4 will find interesting or worthwhile.
Ultimately, Valhalla Hills fails to be an engaging city builder, and at best is a mediocre casual game better suited for mobile devices. Players who want a fast-paced and casual city builder might be this game’s niche audience and will enjoy it; but I doubt a majority of players will find anything in Valhalla Hills that isn’t done better somewhere else.
Ultimately, Deep Rock Galactic is a fantastic game for those who like Left 4 Dead or games like it. The squad based missions are infinitely more fun with friends though, and similar to Sea of Thieves the game is more enjoyable with others.
For those wanting a fun side-scrolling beat’em up, Sakuna: Of Rice and Ruin is a fun and unique game that will provide hours of content. Those wanting a farming and village sim are better served by other franchises like Rune Factory.
Like Spore before it, Ancestors: The Humankind Odyssey falls victim to its own ambition and fails to be engaging. Too much focus is put on the exceptional amount of immersion, that none is spent on making the game fun.