Lies Of P is one of the best Soulslike games to enter the genre, and on multiple occasions builds on the games that inspired it, adding refinements that result in a better gameplay experience. However it emulates its influences a little too closely, and fails to hit the same highs as the games that it has clearly used as a skeleton, inviting comparisons that aren't always flattering. Along with an incredibly disruptive difficulty spike, Lies Of P stands as a game that is very nearly great, and will scratch the right itch for fans of the genre to stick with it.
Nour: Play With Your Food is an interactive work of art that lets you create your own playful, vibrant and artistic images, with an inviting soundtrack that's all packaged in a cozy game you can take at your own pace, but it ultimately feels lacking and the gameplay loop just didn't ever feel enticing enough.
Sea Of Stars is an excellent, retro-inspired RPG that I would recommend anyone play, with feel-good characters, intricate and engaging combat, a stunning soundtrack, and beautiful world with a wonderful sense of adventure, friendship and love. While the story doesn't break any molds, its characters are all charming and endearing, to the point where I feel like I'd follow them to the ends of the world and beyond.
Patrick's Parabox is an excellent puzzle game that you'll want to be going back to not just to clear its 364 puzzles, but because it is the perfect cerebral-cozy game that has a calming yet exciting vibe as you solve puzzles and relax with a soundtrack that amplifies your ability to enter a calm flow state of thinking. The pacing of each new mechanic and rule to the puzzles is great, and discovering each new mechanic as you solve a puzzle only makes you want to play the next puzzle more to see how creative developer Patrick Traynor gets with it, and he certainly doesn't disappoint.
C-Smash VRS is an absolute must-buy game for anyone armed with a PS5 and PSVR2. It's a brilliant execution of a game that balances fun and challenge while taking full advantage of what makes VR special, and it absolutely shines brightest when playing one of its four VRS modes, even if for now it feels light on content.
Death Or Treat can be a fun 2D rogue-lite at first, but the gameplay becomes bland far too quickly, well before the much more polished final stage which comes too late to be the game's savior, and the charm created by its admittedly excellent visual style and animation isn't enough to keep you going, especially when that visual style is bogged down by commentary that only distracts you from the game's world.
What The Bat? doesn't really do a whole lot to make it an essential experience among the PlayStation VR2 launch window of titles, but if PSVR2 is your first VR headset ever, then you'd only be doing yourself a favour to jump into Triband's hilarious and fun bats-for-hands world.
Jett The Far Shore + Given Time definitely makes for a more complete experience of Jett's narrative if you're a newcomer, who'll get to play them back to back, but those initial frustrations even for a veteran player like myself made me feel like not picking up the controller. Jett can still be beautiful, and Given Time does provide a satisfying conclusion, though fails to really offer any answers to the big questions it began asking in the original campaign. Try Given Time out because its a free upgrade, but it's not a must-play.
Gris on PS5 is an absolute marvel, because it truly delivers an experience that cannot be had anywhere else. Nomada Studio's excellent incorporation of the DualSense's feature-set amps up what is already an emotionally charged time to new heights, and made my first experience of Gris even more beautiful than it could have been on any other platform. Whether you've played it a hundred times or not at all, PS5 is the place to best experience Gris.
Neon White is overall a very good, even exceptional game, with addicting, thrilling, and wonderfully crafted gameplay. The characters are all incredibly endearing in their own way, even if the overall narrative doesn't break any molds. It's easily one of the best 3D platformers today, and one game from 2022 that is not to be missed.
OlliOlli World's Finding The Flowzone DLC is an absolute marvel, with every single new level somehow a breath of fresh air among the high level of creativity already included within the main OlliOlli World campaign and the Void Riders DLC. The newly introduced Wind Zones add a new layer of complexity to levels that makes them all the more fun to explore. Discovering new paths and new ways to a high score never feels dull, and it's all topped off with arguably the best level across the entire game.
NHL 23 isn't EA's best year, but it's not the worst either. Stumble actions and loose-puck plays help enhance gameplay, but they remain less than groundbreaking. The addition of IIHF Women's teams is long overdue and quite welcome, and the visual quality in this year over last is a noticeable step up. The expansion of franchise mode is the biggest improvement over last year, though it almost feels like the only mode that was actually worked on, while everything else was simply lifted from NHL 22, unchanged in their function. Disappointing, when there's still plenty of changes that could be made.
Valkyrie Elysium is a very fun game with a mildly-intricate combat system that allows for plenty of satisfying moments of pulling off long combos to create a visual feast. Its narrative is lacking but the core characters are charming enough that by the end you can't help but almost feel attached to them all, as you've fought your way through to whichever ending you've chosen. If it weren't for the fact that you're constantly having to make everything work in spite of a camera and lock-on system that feels against you specifically, it would be a much easier game to recommend.
Metal: Hellsinger is an absolute head-banger of a game with amazing tracks to accompany each level, but it's rhythm-based gameplay does little to stop it from constantly reminding you of the games that inspired it, games that are fundamentally better executed in their core gameplay. It's repetitiveness and lack of any innovation doesn't make it a must-play game for shooter fans, but it's music does for any heavy metal fan.
Destroy All Humans! 2: Reprobed might be a brutally honest remake of the original game, but that doesn't make it any more pleasant to sit through all its rough parts. Few elements of the core gameplay remain as fun as they were on the PS2, but it's far too shallow to be worth it, especially when it is still riddled with performance issues that can seriously effect your experience.
Rollerdrome is an incredible arcade shooter that combines fluid movement with addicting mechanical loops which encourage you to pull off visually appealing stunts with ease. Though your mileage may vary be you a high-score chaser or not, it never fails to be fun, and Rollerdrome is more than worth a look for any arcade shooter lover.
OlliOlli World's Void Rider's DLC is definitely a must-buy for fans. It houses the best levels across the rest of the game, and includes some of the most visually pleasing levels in the entire game. Though the boss levels are somewhat disappointing, that does little to reduce how fun every other level included in the DLC is.
Salt And Sacrifice is every bit the sequel I could have wanted for Salt And Sanctuary. Everything about the gameplay has been elevated a polished better than any previous title from Ska Studios. With excellent combat, and a flexible progression system that lets you alter your build and playstyle how you like, mixed with amazing art, creature design, and atmosphere, this is the latest must-buy indie title.
LEGO Star Wars: The Skywalker Saga does a lot of things right that make it the best LEGO Star Wars game, and LEGO game to date. But it's level structure and pacing leave something to be desired more often than not, and co-op play has seemingly gotten far less care and attention than it deserved, putting a damper on what is otherwise a hilarious and fun experience.
Elden Ring took the best parts of previous FromSoftware games and expanded them across a living open-world with endless discovery, excitement, and danger. It's not lost the edge of previous titles, but it is the most approachable FromSoftware game yet, and is an excellent point for players to jump in on if they've not tried previous titles. While its technical issues can be annoying, even they can't dampen the experience of playing Elden Ring. FromSoftware's latest is an artistic, innovative and cultural achievement like nothing before it.