Leonardo Faria's Reviews
Although I did enjoy my time with El Paso, Elsewhere, I cannot hide the fact it was plagued with some questionable gameplay decisions and repetitive visuals. You will probably play El Paso, Elsewhere not because of its janky gameplay, but because of its strong story and character development.
Redfall might not be the worst game released in 2023, but I don’t think I have played something more uninspired. It looks dated, its performance is disappointing, its plot is bland, the controls are glitchy, and the entire gameplay loop is the most generic and passion-devoid AAA schtick you could think of. If Arkane clearly wasn’t willing to make this game, then why would any of us should or want to care about it? Not even the fact it’s on Gamepass makes it being worth downloading it and playing for a day or two.
I don’t know how the hell Nintendo allowed for this game to be launched on their system (I do understand WB probably did not care about doing some quality check on their end, though). It is something that needs to be played for you to believe it even exists. Not only is this the worst Switch port of a AAA title out there, this might be the single most pathetic entry in Mortal Kombat history. Yes, even more than Advance or Special Forces. At least those games weren’t being advertised as equals to ports on more powerful machines.
You know the drill at this point: NBA 2K24 is just like its predecessors, in both the good and bad ways. It still looks impressive and has great controls, but it is also plastered with convoluted menus and a ridiculous amount of ads and microtransactions. What can I even add at this point which hasn’t been said in my previous five reviews of NBA 2K iterations? It’s good as an arcade experience, it’s frustrating elsewhere, and you know for a fact nothing will change because there is no need to innovate when you don’t have to deal with competitors.
It’s hard to ignore how creatively bankrupt The Crew Motorfest is, but it is not a bad game at all. When you’re trying to be a carbon copy of a masterpiece of a racing game, and you do your homework to a satisfactory degree, you need to be utterly incompetent not to be, at the very least, a pretty good time, even if not a jaw-dropping one.
There isn’t a lot that needs to be said because Gunbrella, despite the unique premise, is really straightforward: what you’ve seen from previews and trailers is what you’ll get. It’s a really well-designed platformer that might be a bit too brown and dour at times, but plays like an absolute dream. With excellent level design, great boss fights, and just the right amount of funny dialogue bits to remind you that yes, you’re playing yet another high-quality Devolver outing, Gunbrella might not be one of the publisher’s top titles, but it’s still absolutely worth your while.
This is the best kind of sequel. Horizon Chase 2 is the kind of game that makes its predecessor look and feel obsolete in comparison, with vastly better graphics, AI, tracks, and controls. It might not exactly have a lot of cars for you to choose, but there is still so much content in here that complaining about it almost feels like an annoying nitpick. Aquiris has clearly managed to outdo themselves, with this game being one of the best retro-styled racers available in any console or PC right now.
This is not the worst idea Nintendo has ever had, but it’s really poorly implemented. F-Zero 99 feels restrained, never fully grasping the concept of an actual battle royale, just punishing the smallest percentage of players per race. It’s just a revamped take on the SNES original, with just more drivers per race, with a lot less room for skill, and more room for nonsensical mayhem.
Just by reading the name of the title, you can already expect that Baby Shark: Sing & Swim Party isn’t a good time. Granted, it is not the worst thing in the world, and not even the worst game made for toddlers out there (Race with Ryan exists, after all), but it is a boring, shallow, repetitive experience that goes on for way too long, featuring some of the worst musical compositions these poor ears have ever endured.
Super Bomberman R 2 is a nice improvement over its predecessor, and it features a lot of content, but be realistic. Do not expect it to be the most groundbreaking experience out there, because Bomberman is, has been, and will always be a very simple arcade-like experience with cute visuals, cheerful music and accessible controls, meant to be played for a couple dozen minutes at a time. It does everything it was meant to do with honors, and I’m happy about it. I wanted a an improvement over the flawed, but interesting Super Bomberman R from 2017, and got exactly that.
It is a game you will easily be able to spend hundreds, maybe thousands of hours into, and just complete a tenth of everything it has to offer. It can be a swashbuckling adventure, the next big space RPG since The Outer Worlds, a space trading simulator, or even a straightforward relaxing exploratory experience to play while listening to a podcast. The decision is yours. Welcome to space. Enjoy your stay.
This ain’t it. There are good ideas in Highrise City, but the game is just plastered with nuisances that result in it not being as relaxing or accessible as other city builders. It is too deep in its logistic mechanics, almost to a fault. The beginning of each new save is also painfully slow, poorly explained, and convoluted, meaning that this game also lacks the “pick up and play” aspect seen in Sim City or Cities. It tried, and I respect that, but it needs an extra phase of fixes before I can call it a city builder worth hanging out with the other big boys.
Considering its origins as a money-hungry mobile game, I have to say I expected a lot worse from Mega Man X Dive Offline. It’s still painfully dumbed down and far from being one of the best Mega Man games released over the past few years, but there is fun to be had with this “gotta catch ’em all” take on the franchise’s long history. It is bogged down by some repetitive grinding, but being able to play as pretty much everyone you can imagine, without having to overspend like a whale, is indeed appealing.
I feel like It’s A Wrap is, more than anything else, a great foundation for much better sequels. Its core gameplay idea is sound, but it needs a bit of tinkering with its difficulty spikes (even though the hint system is already excellent) and its visuals. Even though they are great, you can barely look at what’s happening onscreen on portable mode, while you don’t have access to its great touchscreen controls on docked mode. As for the rest, it’s a bit short, but it’s still worth picking up.
The fact that Fort Solis is devoid of gameplay isn’t what made it so unbearable to experience. Filling it with clunky walking physics, pointless quick-time events, and plot decisions only a braindead idiot would make, are what ruined it for me. It is an impressive showcase of what Unreal Engine 5 can provide to smaller games, but also a game so devoid of interesting interactivity I can’t help but think it would have been a better experience had I just decided to watch someone play it on YouTube, or if the devs just decided to turn it into a movie (it’s as short as one).
It doesn’t matter if you’re playing it on a PC or on an Xbox. Sadly, Age of Empires IV feels like a massive step back when compared to the immense levels of fun, customization and depth offered by Age II, III, or Mythology. Playing it on a controller just adds an unnecessary layer of complexity towards the gameplay, even though I still commend the developers for their impressive efforts. I doubt anyone else would have been able to pull off such task. With that being said, I can’t recommend playing this particular version, or Age of Empires IV as a whole for that matter. Just stick to its much better predecessors.
What Sega needed to do with Samba de Amigo: Party Central was to ensure that the foundations were solid, the controls worked as intended, and the gameplay loop was fun enough both on your own or with friends. This game is an absolute blast. It retains that wacky, experimental vibe from the Dreamcast era, with utterly ludicrous visuals, a bunch of nonsense blasting your senses, and enough content to keep you busy for a while… at least until the release of the next song pack.
The Making of Karateka is a fantastic trip down memory lane, teaching you everything you never though you’d want to learn from such an iconic game and its creator. Even though the game itself isn’t exactly THAT entertaining for today’s standards, I still had a good time learning more about it, as well as its predecessor, Deathbounce. That being said, I think the collection is missing some essential versions of Karateka, such as the 16-bit, Game Boy, NES, ZX Spectrum and 2012 versions.
Initial impressions of Deadlink were mixed. Whilst its presentation captivated me from the start, it took a while before the game’s core loop eventually managed to win me over. After a few rounds and some upgrades, I’d finally get a hold of its occasionally confusing controls. I’d start jumping around, shooting everything in sight, all while being bombarded with some great visuals and music.
This game has aged a lot. Although I did have fun with Red Dead Redemption, I can’t help but think this is just a bit below the average of what we expect from a 2023 title being released at a ludicrously premium price. Having this on-the-go, whilst a novel concept, is a bit detrimental to its epic, movie-like plot and structure. This benefits from being played on a bigger screen, and by doing so, it looks a bit worse. Not to mention the fact its controls and physics are simply too clunky, even for Xbox 360 standards.