At the beginning, I loved The Legend of Nayuta: Boundless Trails. It had a cozy JRPG prologue, gorgeous visuals, and an interesting narrative. These came together to create a world I was really excited to explore. I thoroughly enjoyed the combat at first, but it didn’t evolve much. And the dungeon areas got repetitive. I would say that maybe the main issue with the game is that it doesn’t evolve, and just repeats. I was very done with The Legend of Nayuta: Boundless Trails by the end, but I was also very glad I got to play it.
Monochrome Mobius: Rights and Wrongs Forgotten is a below-average JRPG in almost every category. But, it has a fantastic Grandia-inspired action ring combat system that fans of turn-based JRPGs should experience. The story is good, despite its poor presentation. I would recommend Monochrome Mobius to fans of turn-based JRPGs, who are starved for more games in the genre. But there are a lot of excellent JRPGs getting released right now, and the combat won’t be enough for casual fans to prioritize it over other genre offerings.
We Love Katamari is a better game than Katamari Damacy. It has more level variety, and had multiplayer options before it was remastered. The core gameplay of both games is exactly the same. We Love Katamari Reroll + Royal Reverie is a fantastic remaster of that already great game. The HD visuals and gameplay tweaks look and feel perfect. The only fault is in the bonus content. It’s always lovely to have more features, but none of them are so compelling that they extend the time you’ll spend with the game. We Love Katamari Reroll + Royal Reverie won’t be for everyone, but it will also be a “must play experience” for many.
Loop8: Summer of Gods started so promisingly. It has an extremely compelling narrative, and gorgeous visuals. I loved how the story tied into the gameplay structure. But all of the JRPG elements are way too light. The combat is pure trash, and devoid of almost any strategy. And every loop after the first few became an aggravating chore. By the end of Loop8: Summer of Gods, I was only playing for the story.
Fuga: Melodies of Steel 2 looks and plays exactly the same as Fuga: Melodies of Steel. Though there are few changes, they are all key changes that improve the game. They give a it lot more longevity for completionists. I highly recommend playing the original game first, as the second game is a direct sequel. This series is for fans of turn-based JRPGs only, but is well worth playing if you’re at all curious.
Teslagrad 2 is a bit of a fail. It has some interesting puzzle platform gameplay, but its Metroidvania elements are too simple. And it feels like there was very little creativity behind any aspect of it. Almost like the developers were forced into making it. The game’s biggest problem is that it’s way too short. I could see people beating it in 2 hours on a first playthrough. I can’t imagine how fans of the original wouldn’t be disappointed by this sequel, and it’s definitely not going to earn the Teslagrad franchise any new fans.
Finally, the music in Cassette Beasts is excellent. A large portion of the soundtrack is made up of catchy synth rock, that brings to mind 80s soundtracks like the original animated Transformers movie. There are also lots of background songs that feature full vocals, which was a real treat. The issue with this was that some of the music transitions were quite jarring. Background music is sharply reset by opening menus, talking to NPCs, and entering new areas, and this is very obvious when vocals are cut off. But I still commend Cassette Beasts for trying out vocals on their soundtrack. The music itself is truly memorable.
I loved Trinity Trigger. I’m a big fan of JRPGs, and the Mana series though. This is a game for fans of the genre. Its bland dungeon design and sometimes dumb support character AI hold it back from being a full-blown genre classic. But it has a compelling narrative and great combat. And the local co-op option seems too good to be true in this day and age. If you’re not into action JRPGs, Trinity Trigger isn’t going to change your mind. But anyone with any love for the genre should definitely give it a playthrough.
Hunt the Night is a love letter to 16-bit era action adventure games. There’s something for fans of almost every genre in this gem of a game. I won’t be surprised if it finds a fairly major audience. It’s a concise synthesis of so many great gameplay and visual ideas. All of my complaints are minor nitpicks. And they’re still just based on my personal preferences. If a physical console version becomes available, I’ll be first in line to buy it.
Curse of the Sea Rats is disappointing. It’s a pretty bland Metroidvania. It has a unique visual style, but its gameplay completely relies on its multiplayer option to hide its shortcomings. The game also needs a bit more polish. I was immediately very excited when I booted up the game, but I quickly soured. If the visual style wasn’t so interesting, and there wasn’t a multiplayer option the score would be a lot lower. Only play Curse of the Sea rats if you love the idea of a simple 4 player Metroidvania.
Assault Suits Valken Declassified is an incredible remaster. Having all the cut material with a new translation is going to be a dream come true for some. The translated guide book, and making of documentary are incredible extras. The game itself won’t be for everyone. It’s a 2D side scrolling run and gun, with a unique feel. Because it plays so differently, it’s a niche offering in an already niche genre. But any Cybernator fan, or anyone remotely curious should know this remaster goes above and beyond expectations.
The Switch version of Paranormasight: The Seven Mysteries of Honjo is awful. It’s not ready to be played right now, because the menu navigation is straight-up broken. The game needs a patch with cursor sensitivity options at the very minimum, but even that fix would still make for a lazy port, that isn’t console ready. The story of Paranormasight: The Seven Mysteries of Honjo is captivating, and the throwback point-and-click adventure gameplay will be a treat for some. But the game needs more time and effort to be an enjoyable experience.
The Pathless is fun for a bit, but I didn’t find any of the detail or smoothness our reviewer loved about the PS5 version. I would recommend avoiding the Switch version over any of the other ones. It’s a game best played docked anyways. If you’re at all curious, you might enjoy The Pathless, but its presentation is far from breathtaking on the Switch.
So Raiden IV x MIKADO remix is a tough sell. It’s a no-brainer for hardcore shmup fans. There’s tons of content, and score junkies will get a lot out of it. But to non-hardcore fans, it will be a very generic experience. It doesn’t have unique visuals or gameplay elements. It also lacks the wow factor of a crazy bullet hell shooter. Everything about Raiden IV x MIKADO remix is well-crafted, but it doesn’t focus on being unique at all.
I loved Vengeful Guardian: Moonrider, but it won’t be for everyone. It’s a must-play for 2D action platform veterans. Especially those that value speedrunning. The 80s inspirations hit all the right nostalgia buttons for me. It might look a little generic on the surface, but anyone who gives Vengeful Guardian: Moonrider their time, will find a tight action platformer, with lots of unique nuance. If you’re at all curious, don’t hesitate to pick it up.
Fans of old school 2D JRPGs, who would like something made today that resembles the great Super Nintendo and PS1 classics, need to play Chained Echoes. It’s a wonderful game. It’s more ambitious than the common indie throwback JRPG, but has many of their modernizations. Every single element of Chained Echoes is full of loving attention to detail. Hopefully Chained Echoes is a success and we can see future projects from its creator. I’ve already ordered a physical copy.
Romancing SaGa -Minstrel Song- Remastered is awesome in so many ways, but it’s annoying in a lot of ways too. With the steep learning curve at the beginning, I can’t imagine anyone enjoying it who’s not a JRPG veteran. But for those of us that love the genre, there are some cool experiments to shake things up, and a massive world to explore with multiple protagonists. It’s a ton of content; easily over 100 hours’ worth. Anyone curious about the roots of modern JRPGs like Octopath Traveler and Bravely Default should really give it a try.
Harvestella isn’t trying to innovate anything. It’s a cozy throwback JRPG that stands apart by having a heavier emphasis on life sim elements. But it’s a story driven action JRG at its core, not a farming sim. Harvest Moon fans will probably be disappointed by its lack of farming mechanic depth, but fans of classic JRPGs who don’t normally love life sim games might really love it. Anyone who really enjoyed Sakuna: Of Rice and Ruin, or the multi-gameplay-style of the ActRaiser games should really take note.
Tactics Ogre: Reborn is an insanely high-quality remaster. There are so many improvements, including gameplay additions, menu expansion, display clarity, improved graphics, orchestrated music, and fully-voiced dialogue. This remaster isn’t a cheap cash-in. It’s the quality level of remaster that all others should aspire to. The only complaints I can make about the game is that the story and gameplay are dense, and won’t be for everyone. Every tactical RPG fan needs to play Tactics Ogre: Reborn. And for strategy JRPG fans, Tactics Ogre: Reborn is good enough that it might be the exception when saying you’re not a fan of the genre.
If the only console you own is a Switch, then Aeterna Noctis is a very good Metroidvania. I’d put it a tier lower than the best of the best in the genre, but still better than most, because of its excellent gameplay. If you own a PS5, Xbox, or PC, then the Switch should be the last version you play. The camera is too zoomed-out for handheld mode, and the framerate is very choppy compared to the other smooth versions. I wish I could also report on how the PS4 and Xbox One versions compared to the next gen versions. They were all planned for the same release day, and ended up taking another year to become available, so I would assume they are all downgrades that had to be quality compromised.